ALL THE STUFF I DID WITH THE RAMONES
September 5th - October 18th, 2019
For the first time the underground cartoonist, writer and founding editor of Punk Magazine, John Holmstrom brings together the huge catalogue of work he created for the legendary band the Ramones.
John first met the Ramones at the very dawn of the New York Punk Scene. As the founding editor of Punk Magazine at the age of 21 in late 1975, Holmstrom's work became the visual representation of the punk era.
He featured the band on the cover of Punk Magazine issue #3 – helping to cement them as the quintessential punk band and Joey Ramone as the silhouette to be replicated in countless teenage bedrooms to this day. John went on to have a long collaborative relationship with the band – most famously illustrating the album covers Rocket to Russia and Road to Ruin.
After Punk ceased publication in 1979, he worked for several publications, including The Village Voice, Video Games magazine, K-Power, and Heavy Metal.
This show give a rare opportunity to see the artists long lasting collaboration displayed as a single body of work. One which still feels as fresh and vibrant today as it did when the ink first hit the paper.
Show co-produced by Rima De Bien
summer and smoke
Group Show curated by Roberta Bayley
July 18 - August 22, 2019
This group show curated by Roberta Bayley is a collection of photographs designed specifically to snap you out of your summer doldrums. Photographers include Amy Arbus, Janette Beckman, Bruce Carleton, Danny Fields, Godlis, Keith Green, Bobby Grossman, Bob Gruen, John Holmstrom, Dustin Pittman Kate Simon, Chris Stein, Joe Stevens, Lisa Jane Persky, Dustin Pittman, Paul Zone and Roberta Bayley.
Some people go swimming in the summer - even punks. Hence Joe Strummer, in a bathing suit. Twice. Some guys throw footballs around on the beach, even if their first name is Alice. You’ll see it here first. A few brave ones ride the wild surf, and so we see Joey Ramone on the great wave, like the master he always was. The luscious Deborah Harry tends toward minimalist clothing in the summer, and you don’t want to miss it. Smokin’! Even Johnny Rotten has been known to take a dip. While Salt ’n Pepa spend their summer days at the local deli, hearthrob Dee Dee Ramone drips sex, beside the pool at the Tropicana. And look, there’s Glenn O’Brien, luxuriating in a swimming pool. Anya Phillips and James Chance are deliciously bored, leaning up against a white car outside CBGB, on one of those hot steamy nights way back then
The First Time I Saw the Ramones
May 16 - June 6, 2019
The exhibition showcases photography from the very early New York Punk scene and explores how your life can be changed when you find the band that defines your youth.
The show chronicles the night of July 22 1976 when Tom was asked by his friend Legs McNeil to see the Ramones play at the Arcadia Ballroom in New Haven.
Together with Legs, John Holmstrom and Ged Dunn (who had launched Punk Magazine earlier that year) Tom witnessed a show that would change his life forever. In his own words, he was transformed. Fortunately the photographer Larry Kerson (who Tom was assisting at the time) encouraged him to take 2 of his own Nikon cameras and a bag with lenses and a bunch of film as he left the door.
The exhibition features works from other icons of the New York punk scene as well as the photo essay “Punk Dump” (below) which captures the chaos and revelry at the offices of legendary Punk Magazine
Tom Hearn is a Connecticut born photographer and has been taking pictures of people and stuff he likes since the mid 70’s. Due to the artists long standing friendship with the founders of Punk Magazine – Legs McNeil and John Holmstrom – Tom was able to gain access to the shows, bands and people that defined punk and created images as iconic as his subjects.
IT’S A GODLIS WORLD
April 18 - May 9, 2019
The exhibition explores David’s early work as a photographer in New York in the mid 70’s and early 80’s.
The show begins with David’s most famous work, which documents the New York punk scene centered around the infamous CBGB’s. The exhibition then expands out beyond the Lower East Side and onto the streets of New York. David’s street photographs–many of which have never been exhibited before–offer a beautiful and poignant slice of New York life in the 1970’s. Working in black and white the artist’s compositional instincts transform the ordinary into the exceptional.
In a multimedia installation David talks us through his most iconic work which captures the emergence of the Punk scene in the Lower East Side. The audio commentary gives the viewer a unique insight into the photographs and the cast of characters that created this enduring and highly influential culture moment.
The show continues with multimedia displays of street photography along with larger format wheatpaste murals and installation works along with prints on paper.
Born in New York City in 1951, David Godlis picked up his first camera, a Pentax Spotmatic, in 1970, and has been shooting photographs non-stop ever since.
After moving back to New York City with his Leica camera in 1976, Godlis stumbled into the burgeoning punk scene at CBGB’s on the Bowery. And after seeing Brassai’s photographs of Paris in the 1930‘s he began to photograph that scene, with long handheld exposures under the Bowery streetlights.
His grainy black & white images documented CBGB’s and the Bowery from 1976-1979. This extensive body of work has been published and exhibited worldwide and was published in the hugely successful book, History is Made at Night.